Increasingly, the media can be seen to be active in the negotiative frameworks that underlie glocalization as well. Provides an excellent introduction to the commodities and artifacts that have historically defined American religion. In August ofthe theme of the venerable monthly publication, National Geographic, was "Global Culture.
McHugh, Your Bibliography: A significant and influential collection that has helped define the development of a scholarly discourse on media within anthropology. The primary one is the expectation that to be public, such material must appeal to general as opposed to narrower, sectarian tastes.
Probably as a result of their association with secular entertainment and thus secular values, film, broadcasting, television, and digital media has, in its turn, met with suspicion on the part of religion and religious authorities.
Journal Recuperating Feminism, Reclaiming Femininity: These structural realities and social assumptions have come to condition the way the media function in relation to culture, and therefore, religion. In entertainment television, a range of new programs and series began to appear in the s, featuring both explicitly and implicitly religious themes.
The result is the gradual erosion of whatever bright line might have once existed between the "sacred" world of legitimate religious media and a "profane" world of secular media.
Various religions have been typified by means of their relationship to various media. Practicing Religion in the Age of the Media: It has become, for all practical purposes, one media culture. A debate has raged ever since over how the resulting relationship between the mass audience and the mass media is to be seen.
Later in the century, an explosion of book and magazine publishing devoted to spirituality, therapy, and self-help became one of the major trends in that industry.
The Aftermath of Feminism: Religion Using Media There is of course a long and deep history of mediation of religion. Journal Entitled to consume: Islam in the Digital Age: Today, in a range of social and cultural contexts, the media are foregrounded, even determinative.
While the media have grown in cultural importance over the past century, and religious institutions and movements have contemplated how to respond and experimented with ways of accommodating to this new reality, a relationship has developed that now determines, in important ways, the prospects and prerogatives of religion into the twenty-first century.
Provides evidence of a growing accommodation between Islam, in both traditional and non-traditional forms, and the digital media. The media have come to play an ever more prominent role in social and cultural life since the emergence of the so-called "mass media" in the late nineteenth century.
Rethinking Media, Religion, and Culture.
Journal of Aging Studies, 14 1pp. Even groups that aspire to separation, such as the Amish, find it increasingly difficult to do so.
To write about television in Egypt, or Indonesia, or Brazil is to write about the articulation of the transnational, the national, the local, and the personal. Television, I believe, is particularly useful for writing against the grain because it forces us to represent people in distant villages as part of the same cultural worlds we inhabit—worlds of mass media, consumption, and dispersed communities of the imagination.
Contemporary social and cultural experience is becoming increasingly commodified, and the media sphere plays a major role in this trend. This has been thought by some to be a particular potential of the new digital media. Note: Citations are based on reference standards.
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In what she calls 'writing against culture,' Abu-Lughod has written an ethnography that preserves the voice of the Bedouin women with whom she lived. She has transcribed hours of women's conversations and organized the material around five major subjects: patrilineality, polygyny, reproduction, patrilateral parallel-cousin marriage, and honor and shame.
Reconciling evidence-based practice and cultural competence in mental health services: Introduction to a special issue Abu-Lughod, L.
() Writing against culture. In: Fox, R. G. Practitioner characteristics and organizational contexts as essential elements at the intersection of evidence based practice and cultural competence. “Writing against Culture” from Richard G. Fox (ed.) Recapturing Anthropology: Working in the Present () Lila Abu-Lughod Editors’ introduction.
Writing Women's Worlds is Abu-Lughod's telling of those stories; it is also about what happens in bringing the stories to others. As the new teller of these tales Abu-Lughod draws on anthropological and feminist insights to construct a critical ethnography.
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